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BAILEY, MOLLIE ARLINE KIRKLAND (1844?-1918). Mollie Bailey, "Circus Queen of the Southwest," the daughter of William and Mary Arline Kirkland, is believed to have been born on November 2, 1844, on a plantation near Mobile, Alabama. As a young woman she eloped with James A. (Gus) Bailey, who played the cornet in his father's circus band, and was married on March 21, 1858. With Mollie's sister Fanny and Gus's brother Alfred, the young couple formed the Bailey Family Troupe, which traveled through Alabama, Mississippi, and Arkansas acting, dancing, and singing. In the Civil Warqv Gus served as bandmaster for a company of Hood's Texas Brigade.qv Leaving their child Dixie, the first of nine children, with friends in Richmond, Virginia, Mollie traveled with the brigade as a nurse and, according to some sources, as a spy for Gen. John Bell Hoodqv and Jubal A. Early. Mrs. Bailey disguised herself as an elderly woman, passed through Federal camps pretending to be a cookie seller, and claimed to have taken quinine through enemy lines by hiding packets of it in her hair. She joined her husband and brother-in-law in Hood's Minstrels and on April 5, 1864, performed a "musical and dancing program" with them near Zillicoffer. During this period Gus wrote the words for "The Old Gray Mare," based on a horse who almost died after eating green corn but revived when given medicine. A friend set it to music, and it was played as a regimental marching song. It was later used as the official song of the Democratic national convention of 1928;qv the West Texas Chamber of Commerce named its Old Gray Mare Band after the song. When the war was over, the couple traveled throughout the South and then toured by riverboat with the Bailey Concert Company. Their career in Texas began in 1879 when the troupe traded the showboat for a small circus that enjoyed immediate success as the Bailey Circus, "A Texas Show for Texas People." The show became the Mollie A. Bailey Show after Gus's health forced him to retire to winter quarters in Blum, Texas. Mollie came to be known as "Aunt Mollie." Her circus was distinguished by the United States, Lone Star, and Confederate flags that flew over the bigtop and Mollie's practice of giving war veterans, Union or Confederate, free tickets. At its height, the one-ring tent circus had thirty-one wagons and about 200 animals; it added elephant and camel acts in 1902. After her husband's death in 1896, Mollie Bailey continued in the business, buying lots in many places where the circus performed to eliminate the high "occupation" taxes levied on shows by most towns. When the circus moved on, she allowed these lots to be used for ball games and camp meetings and later let many of them revert to the towns. She is also credited for her generosity to various churches and for allowing poor children to attend the circus free. In 1906, when the circus began traveling by railroad, Bailey entertained such distinguished guests as governors James Stephen Hogg and Oscar Branch Colquittqqv and senators Joseph Weldon Bailey and Morris Sheppard,qqv along with members of Hood's Brigade, in a finely appointed parlor car. She was also said to be a friend of Comanche chief Quanah Parker.qv In 1906 she married A. H. (Blackie) Hardesty, a much younger man, who managed the circus gas lights and who was subsequently known as Blackie Bailey. According to some sources, Mollie Bailey showed the first motion pictures in Texas in a separate circus tent, including a one-reel film of the sinking of the USS Maine. After her youngest child, Birda, died in 1917, Mollie ran the circus from home, communicating with the road by telegram and letter. She died on October 2, 1918, at Houston, and was buried there in Hollywood Cemetery. She was survived for nineteen years by her husband, who became a jitney driver between Houston and Goose Creek and resided in Baytown. BIBLIOGRAPHY: Francis Edward Abernethy, ed., Legendary Ladies of Texas, Publications of the Texas Folklore Society 43 (Dallas: E-Heart, 1981). Olga Bailey, Mollie Bailey: The Circus Queen of the Southwest, ed. Bess Samuel Ayres (Dallas: Harben-Spotts, 1943). Marj Gurasich, Red Wagons and White Canvas: A Story of the Mollie Bailey Circus (Austin: Eakin Press, 1988). Diana J. Kleiner
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