DURHAM, EDDIE (1906–1987). Eddie Durham, one of the most important Swing Era composer–arrangers, was born in San Marcos, Texas, on August 19, 1906. He was the son of Luella Rabb and Joseph Durham, Sr. In addition to their African-American ancestry, his father was also part Irish and Mohawk, and his mother was part Cherokee. His father played the fiddle at square dances, and his oldest brother, Joe, who played cello briefly with Nat King Cole, took correspondence lessons and in turn taught Eddie and his other brothers to read and notate music. Joe Jr. also served as musical director for Teddy Roosevelt's Rough Riders Cavalry Band during World War I. Joe Jr., with his brothers Eddie, Earl, and Roosevelt, formed the Durham Brothers Orchestra in the early 1920s. The brothers were occasionally accompanied by their sister Myrtle, a pianist. Their cousins Allen and Clyde Durham later joined them. (In 1929 Allen recorded on trombone with Andy Kirk's Clouds of Joy.) They were later joined in Dallas by another cousin, the great tenor saxophonist Herschel Evans. According to his own account, Eddie began as a professional musician at age ten; at eighteen he was with the 101 Ranch Brass Band playing for circuses in the Southwest and traveling as far as New York City, where he performed in Yankee Stadium. In 1926 he joined a jazz group and toured the Southwest before joining the Blue Devils, who were based in Oklahoma City, in 1928. He then played with Benny Moten out of Kansas City from about 1929 to 1933. He moved to New York in 1934.
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Durham's early training in music theory led to his work during the 1930s and 1940s as a jazz composer–arranger for four important bands from Oklahoma, Missouri, and Tennessee: the Blue Devils, Bennie Moten, Count Basie, and Jimmie Lunceford. The tunes Durham composed or arranged for these bands include such classics as "Moten Swing," "Swinging the Blues," "Topsy," "John's Idea," "Time Out," "Out the Window," "Every Tub," "Sent for You Yesterday," "One O'Clock Jump," "Jumpin' at the Woodside," "Lunceford Special," "Harlem Shout," and "Pigeon Walk." In addition, he arranged music for Artie Shaw and Glenn Miller, among other white big bands of the Swing Era; Durham contributed to one of Miller's greatest hits, "In the Mood." He is primarily considered a key figure in working out arrangements in the famous Kansas City riff style.
As an instrumentalist, Durham was proficient on both guitar and trombone. By 1929 he had begun experimenting with homemade resonators and megaphones to enhance the projection of his guitar. He is credited with being the first person to record an amplified guitar when he was featured on the 1935 Jimmie Lunceford recording of Durham's arrangement of "Hittin' the Bottle." Durham was an influence on fellow Texan Charlie Christianqv, probably the most important guitarist in jazz history, who recorded electric guitar the following year. In 1938 Durham was the leader for a historic combo recording session with Lester Young, Count Basie's star tenor saxophonist.
In the 1940s Durham organized his own band, directed an all-girl orchestra, the International Sweethearts of Rhythm, and brought together a number of important Texas jazzmen from the Kansas City era, including Joe Keyes, Hot Lips Page, and Buster Smith.qqv During the 1950s and 1960s he performed less but still worked as an arranger for various groups. Durham and Smith appear in conversation on a 1979 video entitled The Last of the Blue Devils, on which Durham also plays a trombone solo. He was heralded for his non-pressure technique on the trombone. In England, albums were released under Eddie Durham's name in 1974 and 1981; on the latter he can be heard in impressive form at age seventy-five, in particular on "Honeysuckle Rose," where he plays single-string guitar solos in the southwestern style. In the 1980s Durham toured Europe with the Harlem Blues and Jazz Band. He died in New York City on March 6, 1987. His hometown of San Marcos declared August 19 as "Eddie Durham Day" and in 2003 began an annual Eddie Durham Day Musical Tribute and Festival with the long-term goal to establish a Durham Family Archival Museum and Memorial Park.
Stanley Dance, The World of Count Basie (New York: Scribner, 1980). Eddie Durham (http://www.durhamjazz.com), accessed February 27, 2008. George Hoefer, "Held Notes: Eddie Durham," Down Beat, July 19, 1962. Barry Kernfeld, ed., The New Grove Dictionary of Jazz (London: Macmillan, 1988). Dave Oliphant, "Eddie Durham and the Texas Contribution to Jazz History," Southwestern Historical Quarterly 96 (April 1993). Joel A. Siegel and Jas Obrecht, "Eddie Durham: Charlie Christian's Mentor, Pioneer of the Amplified Guitar," Guitar Player (August 1979).
The following, adapted from the Chicago Manual of Style, 15th edition, is the preferred citation for this article.Dave Oliphant, "DURHAM, EDDIE," Handbook of Texas Online (http://www.tshaonline.org/handbook/online/articles/fduqk), accessed July 31, 2014. Uploaded on June 12, 2010. Modified on May 10, 2014. Published by the Texas State Historical Association.