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Our Treasured Quilt

Although "ready-made" dresses were available from the Sears and Roebuck catalog in the early 1900s, most were made at home from fabric purchased from the catalog or from local stores. I remember my sister Gwen and I poring over the selection of different patterns and colors to decide which we wanted for our dresses. Mom would mail in the order and we would wait for what seemed to be an eternity for Mr. Hulsey, our postman from Ladonia, to deliver the order to our mailbox on the main road. It was at the end of our lane, which was about 100 yards from our house. When we saw him placing a package in our mailbox, we were so excited and ran at once to retrieve the package. Mom would open it and watch as we admired our fabric selections. As Mom made our dresses on a Singer treadle sewing machine, the sound of the mechanism was music to our ears. Some of our dresses were very special to us for various reasons. It may have been a dress we wore to a recital, or one that really fit well, or one that brought many compliments, but whether they were special or not, Mom always kept the leftover fabric.

No material was ever wasted. The scraps left from making the dresses were used to make quilt tops. These were pieced by hand. Some quilts were made from strips of cloth sewn together in blocks about twelve inches square. The blocks were sewn together in some sort of pattern. Other quilts were made with templates of some form such as a diamond. These were assembled by color to make a beautiful design, such as the Texas Star, which was one large eight-point star with one color in the middle of the star, then other colors radiating out from that center. The corners and sides were filled in with a contrasting color. Some quilts were made with patterns requiring appliqué, such as the Dutch Doll, which was first pieced together then attached to a square of cloth. When a top was completed, a quilting frame was hung from the ceiling. It consisted of four boards, each six to eight feet long, held together at the corners by metal clamps. The boards for the sides of the quilt had holes bored in them about two inches apart. A white cloth quilt lining was sewn into these holes using long stitches and a strong thread. Next cotton batting filling was laid on the lining, and the pieced top was put on last. When it was all basted together, the quilting began. As a strip about one foot wide was quilted, the braces were removed from that end of the quilt and it was rolled on the board from that end of the frame, then the braces were fastened again.

Sometimes neighbor ladies were invited to help with the quilting. They would bring all of their children with them along with a covered dish for lunch and stay all day to quilt. The children played and had fun. At one of these quilting bees, one of the boys kept running under the middle of the quilt and hitting it with his head, causing the ladies to prick their fingers with the needles. His mother told him to quit several times. Finally, she picked up a pair of scissors by the blades and whacked him over the head with the handles. He stayed out from under the quilt after that.

I remember one quilt in particular that Mom made. It was a Dutch Doll quilt. She used scraps of fabric from dresses she had made for my sister Gwen and me, as well as from little overalls and shirts she had made for our brother Don. The bonnets for the dolls were made from solid-colored fabric that coordinated with the dress fabric and was embroidered with hat-bands and flowers. All three of us kids loved that quilt. After many years of use and many launderings, it began to disintegrate. Although the quilt was ragged and falling apart, Mom kept it because it had so many memories.

After Mom's death, Gwen wanted the remains of that quilt. At her house in Orange, Texas, she selected three meaningful blocks that were still in pretty good shape, one for each of us three kids that had been made with scraps from our own article of clothing. At Christmas that year, she surprised us with our own Dutch Doll picture. Gwen had framed each one and put a placard in the frame with each picture. The one in mine reads, "One block from a quilt that was pieced, set together, embroidered and quilted by Orianna (McDonnold) Coney during the winter of 1938/39. This particular block was made from 'left-over scraps' of material she had used to make a little dress for their oldest daughter, Lowell Ray. Orianna was the wife of Lowell Coney. They were married 70 years!"

What a marvelous memory! Mine is hung in my computer room where I see it every day.

Lowell McCormack
Gainesville, Texas
Published: November 14, 2005

Categories
  RURAL TEXAS
  TEXAS FAMILIES

Related Handbook of Texas Online articles
  QUILTING
  LADONIA, TX

Other My Texas stories by this author
 Grandpap, the Professor
 Old Photographs Bring Memories
 Were They Symbols? Or Superstitions?
 My "Teen" Years
 My Dad's Symbols--Or Were They Superstitions?
 Our "Wild" Mule
 The Domino Game
 The "Cool" Playhouse
 Getting a Driver's License
 Feeding a Family with Love
 Medical Treatment on the Farm
 Parents Aren't Teachers--Or Are They?
 My Aunt's Memories
 Summertime on the Farm
 The Best Christmas Ever
 The Coney Home Place
 Our Family Fishing Trips
 Trip through the East Texas Pine Forests
 Gran'ma Craved Excitement
 When God Opens a Door
 Fire Alarm
 Jot 'Em Down, Texas
 Lost Prairie
 The Old Gore House
 "Snake Bite!"
 1925--What a Year!
 Our Docile (?) Cow, Sammye
 Saturday's Entertainment
 Tommy's Quick-Cure
 Granny and the Storm Cellar
 From Texas to Pennsylvania and Back Again
 Granny and Her Girls
 Fireflies and Ice Cream
 My Mother's Methods
 Ask and You Shall Receive
 Our Last Swing on the Smokehouse Rafters
 How Times Have Changed
 Carnivals and Creativity

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