Jacquet, Jean-Baptiste [Illinois ] (1922–2004)

By: Grant Mazak

Type: Biography

Published: June 10, 2013

Updated: April 4, 2017

The tenor saxophonist known as Illinois Jacquet (pronounced “zha-kay”) was born Jean-Baptiste Jacquet on October 31, 1922, in Broussard, Louisiana. Inspired by such great jazz pioneers as Lester Young, Herschel Evans, and Coleman Hawkins, Jacquet went on to become a major influence on many later sax players, most notably John Coltrane and Ornette Coleman.

Born to a Sioux Indian mother and a French Creole father, Gilbert, who was a railroad worker and part-time bass player, Jacquet moved with his family to Houston, Texas, before he was one year old. By the time he was a teenager, Jacquet already was performing with several notable musicians.

From 1939 through part of 1942 he played with the Houston-based Milt Larkin band. The group did a stint in Chicago from 1941 to 1942 and also played at least one performance at the Apollo Theatre in New York City. By 1942 Lionel Hampton had hired the nineteen-year-old Jacquet to replace the great saxophonist Lester Young. On May 26, 1942, Jacquet performed what would become a legendary solo during the recording of the tune “Flying Home.” His solo, which he later attributed to divine inspiration, occurred when Hampton unexpectedly called on Jacquet in the middle of the tune. The solo became so popular that it was considered preferable for tenor players to learn and perform Jacquet’s original solo rather than to improvise an “inferior” one. His famous recording of “Flying Home” appeared on the soundtracks to three different movies.

Jacquet left Hampton in 1942 to join Cab Calloway’s band. The only recordings available from this period are radio transcriptions because of a recording ban enacted by the American Federation of Musicians. In 1944 Jacquet took part in the first “Jazz at the Philharmonic” concert presented by Norman Granz in Los Angeles. Jacquet joined the Count Basie Orchestra in 1945 but left in 1946 to join the Jazz At The Philharmonic tour. He also made recordings with a group of other musicians that included his brother Russell during this time.

During the mid-1940s Jacquet became famous for his unorthodox and sometimes controversial sax playing technique. Known for exploring the widest ranges of his instrument, he was noted both for “honking” in the lowest register and for using harmonic notes which were far beyond the traditional range of the instrument. Jacquet also became known for repeating the same note over and over for several minutes at a time. His squealing high notes and repeated honking were panned by many critics, but he became quite popular with audiences of the “Jazz At The Philharmonic” concerts. Jacquet would come to be known as one of a group of tenor saxophonists called the “Texas Tenors,” which included Herschel Evans, Arnett Cobb, and Buddy Tate.

In 1947 Jacquet formed his own band with which he continued to be active for several decades. He recorded for a number of both American and European labels. In 1983 Jacquet was invited to talk at Harvard University where he was so well-received that the school appointed him to a brief tenure as an artist-in-residence. In 1985 he was inducted into the Big Band and Jazz Hall of Fame. In 1992 he became the subject of a documentary film, Texas Tenor: The Illinois Jacquet Story. Jacquet, who had played for presidents Jimmy Carter and Ronald Reagan, performed with President Bill Clinton in June 1993. He was honored with the Rhythm & Blues Foundation’s Pioneer Award in 1995. Jacquet’s last performance was on July 16, 2004, at the Lincoln Center in New York City. He died of a heart attack only six days later on July 22, 2004, in Queens, New York. In 2005 his daughter, Pamela Jacquet Davis, cofounded the Illinois Jacquet Foundation in honor of her father. The non-profit “promotes the study and appreciation of Jazz music” through scholarships, grants, and various educational and motivational programs.

It is worth noting that, while he is often remembered for his use of unorthodox techniques in jazz, Jacquet also recorded many beautiful ballads and blues-inflected tunes that show strong evidence of his Texas roots.

Illinois Jacquet Foundation (http://www.illinoisjacquetfoundation.org/), accessed September 5, 2015. Barry Kernfeld, ed., The New Grove Dictionary of Jazz (London: Macmillan, 1988; 2d ed., New York: Grove’s Dictionaries, 2002). Colin Larkin, ed., The Virgin Encyclopedia of Jazz (United Kingdom: Virgin, 2004). Legends of Jazz History, “Illinois Jacquet” (www.swingmusic.net/Illinois_Jacquet_Big_Band_And_Jazz_Legend_Biography.html), accessed October 18, 2011. Dave Oliphant, Texan Jazz (Austin: University of Texas Press, 1996).

  • Music
  • Genres (Jazz)
  • Peoples
  • African Americans
  • Native American
Time Periods:
  • World War II
  • Texas Post World War II
  • Houston
  • Upper Gulf Coast
  • East Texas

The following, adapted from the Chicago Manual of Style, 15th edition, is the preferred citation for this entry.

Grant Mazak, “Jacquet, Jean-Baptiste [Illinois ],” Handbook of Texas Online, accessed August 11, 2022, https://www.tshaonline.org/handbook/entries/jacquet-jean-baptiste-illinois.

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June 10, 2013
April 4, 2017

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