The Red Krayola, originally known as the Red Crayola, was a popular Houston-based psychedelic rock band. Founded in 1966 by Mayo Thompson, Frederick Barthelme, and Steve Cunningham, the Red Crayola soon earned a reputation as a boldly innovative group that was not afraid to “push the musical envelope.”
Lelan Rogers, brother of Texas country music singer Kenny Rogers, signed the Red Crayola to International Artists in early 1967. International Artists also was home to the Austin-based psychedelic rock band, the 13th Floor Elevators. With Lelan Rogers as producer, the Red Crayola recorded the album The Parable of Arable Land. In 1967 the band made an even more innovative second album, Coconut Hotel, which, because of label concerns over its marketability, was not released until March 1995 by Drag City Records. In 1967 the group also traveled to California where it played several festivals and recorded the album Live 1967. However after returning to Texas, the band parted ways with International Artists. Barthelme soon relocated to New York, and the Red Crayola disbanded.
In 1968 International Artists contacted Thompson about making a new album. Around the same time, Binney & Smith, the company that manufactured Crayola crayons, began demanding that the group no longer use the name “crayola.” As a result, the members changed the name to Red Krayola. In 1968 Thompson and Cunningham recruited drummer Tommy Smith to join them in recording God Bless the Red Krayola and All Who Sail With It at Houston’s Gold Star Studios (recently acquired by International Artists). Due to the album’s lackluster sales, however, International Artists soon lost interest in the group, and the Red Krayola disbanded.
Thompson went on to record and co-produce a solo album in 1970. Around that time he reunited with Barthelme to record “Old Tom Clark” and “Pig Ankle Strut” for Texas Revolution Records under the band name Saddlesore, although these would not be released until the 1990s by Drag City Records. About 1977 Thompson moved to England, reformed the Red Crayola, and began recording for Andrew Lauder’s Radar Records. Following negotiations with the crayon manufacturer Binney & Smith, the band was allowed to once again use its original name. In 1979 the Red Crayola recorded a new album, Soldier Talk, which featured more of a punk sound, with new band personnel that included Lora Logic of X-ray Spex and Essential Logic, Dick Cuthell of the Specials, and several members of Pere Ubu. Thompson remained active in Europe throughout the 1980s and early 1990s, although most Red Crayola albums were not being distributed in the United States at the time.
By the mid-1990s Chicago’s Drag City Records began working with the band. To avoid possible future litigation with crayon manufacturer Binney & Smith, Drag City required that the band change its name back to the Red Krayola. In 1994 Drag City began distributing many of the group’s recordings that were previously unavailable in North America. In addition, Drag City released The Red Krayola, the group’s first album produced in the United State since 1968. Over the following decade, the Red Krayola recorded additional albums, including Introduction (2006), Sighs Trapped by Liars (2007), Fingerpointing (2008), and Five American Portraits (2010), and continued to tour throughout the United States, Europe, and Japan.
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Andy Bradley and Roger Wood, House of Hits: The Story of Houston’s Gold Star/SugarHill Recording Studios (Austin: University of Texas Press, 2010). Dallas Observer, June 17, 1999. Drag City: The Red Krayola (http://www.dragcity.com/artists/the-red-krayola), accessed November 15, 2011. Colin Larkin, ed., The Encyclopedia of Popular Music. 3rd ed., Vol. 7 (Enfield, Middlesex, England: Guinness Pub., 1992). Mayo Thompson/the red crayola discography (http://white-rose.net/redcrayola/), accessed November 15, 2011.
Upper Gulf Coast
The following, adapted from the Chicago Manual of Style, 15th edition, is the preferred citation for this entry.
“Red Krayola [Aka the Red Crayola],”
Handbook of Texas Online,
accessed May 20, 2022,
Published by the Texas State Historical Association.
Original Publication Date:
May 19, 2015
Most Recent Revision Date:
July 26, 2020
This entry belongs to the following Handbook Special Projects: