ALLEN, JULES VERNE
ALLEN, JULES VERNE (1883–1945). Jules Verne Allen was one of the early radio “singing cowboys” who could claim to have actually worked as a horse wrangler and ranch hand. Although his recording career was brief, his radio performances and his 1933 book entitled Cowboy Lore made him one of the most influential artists in the genre of western music.
Born on April 1, 1883, in Waxahachie, Texas, Allen began working as a cattle handler at the age of ten in Jack County, Texas. In the waning days of the open-range ranching era, he drove cattle throughout the West and herded them hundreds of miles to the major railroad stockyards. While working as a professional cowboy, he began to play guitar and sing the songs he learned in the cow camps on the trail. Although his career would first lead him to work as a deputy sheriff in El Paso County and Bernillo County, New Mexico, and as a Texas Ranger, the folklore of cowboy music had a lasting influence. After a stint in the United States Army during World War I, he decided to make music his profession.
In the 1920s, as the population of America was experiencing a wave of fascination with all things western, Allen took to the radio airwaves and performed the songs of his youth. Billing himself as “The Original Singing Cowboy,” he sang of the tough and rugged existence of a working cattle hand with the voice of experience. Gaining popularity, he began to broadcast from Texas stations, including WOAI and KTSA in San Antonio and WFAA in Dallas. He ventured further west to Los Angeles, California, the home of a burgeoning cowboy music scene increasingly focused on a romanticized, fictionalized western aesthetic. Sometimes under the names “Shiftless” or “Longhorn Luke,” Allen played up his authentic experience in the Wild West and gained a measure of success and fame.
In April 1928 in El Paso, Texas, he had the first of his few recording sessions for the Victor label and cut three songs—“Little Joe the Wrangler,” “Jack O’Diamonds,” and “Po’ Mourner.” Throughout the rest of 1928 and into 1929, he went back into the studio both in Texas and in California and created a total of more than twenty traditional western and cowboy recordings. He continued to make radio appearances throughout the Southwest, despite a growing interest in more contemporary, romanticized western-themed music. The decline in the popularity of songs that were true depictions of the hard life of a cowboy coincided with the advent of the Great Depression. Allen’s record sales slipped, and his brief recording career came to an end. He married about 1930 and lived in Taos, New Mexico. Periodically, he also worked in the traveling show circuit.
In 1933 the Naylor Company out of San Antonio published a book by Allen, entitled Cowboy Lore, in which he provided a first-person account of the daily life of a working cowboy, a dictionary of “cowboy terms and sayings,” a history and glossary of cattle brands, and a collection of “Songs of the Range.” Regarding the music of the working cowboy, Allen noted that “authentic themes” were always melancholy and centered around a sad event such as the death of a colleague or pining for the stability of home. Despite Allen’s literary attempt to reignite interest in true cowboy folklore, the singing cowboy as Depression-era hero left behind the attempt to portray the West realistically. A thematic shift in song lyrics to an idealized, fantasy West-dominated western music. “Wild West” shows had given way to rodeos, and as Allen noted, “There is little in the exhibition rodeo to suggest the actual roundup.” As Hollywood Western films became more and more fantastic, Allen complained, “It’s rather remarkable that the cowboy of fiction and movie fame does everything except caring for cattle.” Allen continued to perform on the radio and at events into the 1940s. He also served part-time on the El Paso police force. He died on July 10, 1945.
Douglas B. Green, Singing in the Saddle: The History of the Singing Cowboy (Nashville: The Country Music Foundation Press & Vanderbilt University Press, 2002). Paul Kingsbury, ed., The Encyclopedia of Country Music: The Ultimate Guide to the Music (New York: Oxford University Press, 2004). Bill C. Malone, Country Music, U.S.A., 2nd rev. ed. (Austin: University of Texas Press, 2002). Bill C. Malone, Singing Cowboys and Musical Mountaineers: Southern Culture and the Roots of Country Music (Athens, Georgia: University of Georgia Press, 2003). Richard A. Peterson, Creating Country Music: Fabricating Authenticity (Chicago: University of Chicago Press, 1997). Tony Russell, Country Music Originals: The Legends and the Lost (New York: Oxford University Press, 2007).
Image Use Disclaimer
All copyrighted materials included within the Handbook of Texas Online are in accordance with Title 17 U.S.C. Section 107 related to Copyright and “Fair Use” for Non-Profit educational institutions, which permits the Texas State Historical Association (TSHA), to utilize copyrighted materials to further scholarship, education, and inform the public. The TSHA makes every effort to conform to the principles of fair use and to comply with copyright law.
For more information go to: http://www.law.cornell.edu/uscode/17/107.shtml
If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner.
The following, adapted from the Chicago Manual of Style, 15th edition, is the preferred citation for this article.Handbook of Texas Online, Deirdre Lannon, "Allen, Jules Verne," accessed February 24, 2017, http://www.tshaonline.org/handbook/online/articles/falnq.
Uploaded on May 6, 2014. Modified on August 30, 2014. Published by the Texas State Historical Association.