ONDERDONK, JULIAN (1882–1922). Julian Onderdonk, son of Emily Wesley Rogers (Gould) and Robert Jenkins Onderdonk, was born in San Antonio on July 30, 1882. From early childhood he showed definite artistic talent, but his father, an artist familiar with the economic hardships such a career entailed, did not encourage him. When young Onderdonk was sixteen, however, his father permitted him to enter his art class and in 1901, with the aid of G. Bedell Moore, allowed him to go to New York to study. Among his instructors were Kenyon Cox, William Merritt Chase, and Frank Vincent DuMond. In June 1902 Onderdonk married Gertrude Shipman. They had two children. Onderdonk was soon experiencing the economic difficulties his father had anticipated. Although his ability was recognized, his earnings were small. In 1906 he took a salaried position organizing art exhibitions for the Dallas State Fair, a seasonal job he retained for a number of years. In 1909 Onderdonk returned to San Antonio and did his best work as an interpreter of life and scenes in his native locale. His most popular and marketable subjects were bluebonnet landscapes. At the peak of his success, when his paintings were bringing remunerative returns, Onderdonk died on October 27, 1922, in San Antonio. His last paintings, Dawn in the Hills and Autumn Tapestry, were shown in the 1922 exhibition of the National Academy of Design in New York. Onderdonk was a member of the Salmagundi Club of New York, Allied Artists of America, and the San Antonio Art League. His works are presented in several Texas art museums as well as others over the nation. Among his best known paintings are: Dawn in the Hills (1922), Guadalupe River near Kerrville, Afternoon Lights, A Bluebonnet Field (1912), A Spring Morning, Springtime, A Texas Road, A Spring Day in Texas, and Frijolita.
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The following, adapted from the Chicago Manual of Style, 15th edition, is the preferred citation for this article.Handbook of Texas Online, Minnie B. Cameron, "Onderdonk, Julian," accessed September 27, 2016, http://www.tshaonline.org/handbook/online/articles/fon06.
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